Author: Yeaeun Eom

  • So Original_Erasing an Eraser with an Eraser

    Art Hub Studios

    Erasing an Eraser with an Eraser

    Mixed-media installation (with metal, fabric, plastic 3D prints, LED lights, IV bag), dimensions variable April 2026.

  • Erasing an Eraser with an Eraser

    Mixed-media installation (with metal, fabric, plastic 3D prints, LED lights, IV bag), dimensions variable March 2026.

  • Still…??

    Single-channel performance video, color, sound, 4 min loop, Nov 2025.

    Performance Video

  • Dawn Chorus

    2023

    The vagueness of the moment between meeting and parting.

    2023, Mixed media. Dimensions variable

    Documentation_Dawn Chorus

  • You just became the part

    2023

    This piece is completed by audience’s participation and It will never be completed without people. Since the puzzle pieces are too big to complete with one person, it needs a lot of people to complete. Furthermore, even the finished is one puzzle piece, it would need more various people to get another piece done. You do not need to prove yourself.

    2023, Perspex and mirror sheet, Dimensions variable

    Documentation Video

  • Untitled

    2024

    Transferring 2D to 3D and 3D to 2D to represent today that due to too much of dependence on media world, truth and false switched, confused, and beyond that it doesn’t even matter know. Tricking people to think plaster as a paper and to think printing as real objects and at the same time showing how it is easy to make people trust. The crumpled paper holds presence in reality, while the locker, firm in appearance, is merely a fragile sheet.

    Untitled, 2024

    Mixed-media installation (with casted plaster bandage, photographic prints,), dimensions variable

    Documentation_2024Untitled

  • A solid glitch

    2025

    The piece questions whether it is truly reasonable to rely on the images and information that surround us—through newspapers, TV, the internet, social media, and more—as the standard of truth. If the images and information that shape our era were manipulated and not truthful, would we even consider it a problem? Perhaps we already know this but remain complacent, merely accepting what is given to us. It is necessary to ask where the deep-seated beliefs we take for granted originate from.  

    2025, mixed media with A4 printings, wooden boards, coating resin. Dimensions variable
  • You belong no where

    2024

    Every time we have a change in life, we have to think about what is the most important thing that we should take with us and what we have to give up to move. It could be culture, language, family, hometown, or memory. We put a lot of effort into the things we take when we move, and they can still be damaged, missing, or given up in the end. Even though we left them, they also keep changing. For example, I could forget some part of the memory I left, or the memory could be distorted as time passes and it becomes a new identity.

    2024, Video installation; Three-channel video (looped); Mixed media with casted plaster bandage, wool felt, seeds, iphone, and ipads Dimensions variable

    Performance Video_1

    Performance Video_2

    Performance Video_3